Works Cited

Bernstein, Charles. “Introduction.” Close Listening: Poetry and the Performed Word, Oxford University Press, New York, New York, 1998, pp. 3–26, https://drive.google.com/file/d/1e_aIm7KnWNATF5-y0nJcwV_7Mdnbrs3l/view . Accessed 14 Mar. 2025.

Eidsheim, Nina. “The Acousmatic Question: Who Is This?” Refiguring American Music The Race of Sound: Listening, Timbre, and Vocality in African American Music, Duke University Press, Durham, North Carolina, 2018, pp. 1–37. https://drive.google.com/file/d/1kmH7LNYKgFexeWs2qj7t3JP49DIIE4lh/view . Accessed 5 Apr. 2025

Hammad, Suheir. “What I Will” Internet Archive, 14 Mar. 2025, https://ia600109.us.archive.org/16/items/sample-hammad/Sample%20Hammad.mp3 Accessed 20 Mar. 2025. 

Knopf-Newman, Marcy Jane. “Interview with Suheir Hammad.” MELUS, vol. 31, no. 4, 2006, pp. 71–91. JSTOR, http://www.jstor.org/stable/30029683 . Accessed 11 Apr. 2025.

Thompson, Marie. “Whiteness and the Ontological Turn in Sound Studies.” Parallax, vol. 23, no. 3, 3 July 2017, pp. 266–282, https://doi.org/10.1080/13534645.2017.1339967 .